[{"data":1,"prerenderedAt":38},["ShallowReactive",2],{"artists":3},[4,11,18,25,32],{"id":5,"slug":5,"name":6,"location":7,"practice":8,"bio":9,"image":10},"mara-velasquez","Mara Velásquez","Lisbon, Portugal","Painting","Mara builds her paintings slowly, adding earth pigments and scraping them back. Small marks hold their own against broad fields of colour. Her studio looks out over the river in Lisbon.","\u002Fimages\u002Fartwork-01.webp",{"id":12,"slug":12,"name":13,"location":14,"practice":15,"bio":16,"image":17},"elias-nord","Elias Nord","Copenhagen, Denmark","Painting & digital","Elias works with the colour of water in low light. He moves between painted surfaces and digital studies, keeping the small irregularities that appear along the way.","\u002Fimages\u002Fartwork-02.webp",{"id":19,"slug":19,"name":20,"location":21,"practice":22,"bio":23,"image":24},"aiko-mori","Aiko Mori","Kyoto, Japan","Sculpture","Aiko starts with a piece of clay that fits in her palm. The forms grow through touch, then take their final shape in bronze. Each surface keeps traces of that first, small object.","\u002Fimages\u002Fartwork-03.webp",{"id":26,"slug":26,"name":27,"location":28,"practice":29,"bio":30,"image":31},"noah-reed","Noah Reed","London, United Kingdom","Photography","Noah photographs spaces just after people have left them. A wet pavement or an open doorway becomes a record of something that happened outside the frame.","\u002Fimages\u002Fartwork-04.webp",{"id":33,"slug":33,"name":34,"location":35,"practice":8,"bio":36,"image":37},"ines-laurent","Inès Laurent","Marseille, France","Inès paints with a palette knife, cloth, and sometimes her hands. The colour often arrives first. The shape of the painting follows over the next few weeks.","\u002Fimages\u002Fartwork-05.webp",1792714138977]